So, we are left to wonder.Ĭheck out the teaser trailer for The Little Mermaid, the upcoming live-action reimagining of the animated musical classic.
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Yet details that might be plucked from their appearance (like race, age, and gender) are left a mystery, leaving us unable to judge how to factor this into their experiences and worldview. These interviewees offer details about their lives, including their jobs and religious background. Maybe that's why Ascher shields us from the unfiltered identities of his Simulation Theory believers. Perhaps that's why neither Lana nor Lilly Wachowski is interviewed in a doc that pulls intensely from their filmography. This horrid story leaves us to ask: What does it mean if nothing around us is real? If we don't consider those we meet "real" people but simply NPC's with no inner life or grand purpose? These are just a few of the many questions A Glitch In The Matrix poses, and Ascher has no apparent interest in answering them. Ascher explores the latter in a dark thread about Joshua Cooke and The Matrix Defense, which was deployed after a grisly crime. Or perhaps reality is so overwhelming that mankind is drawn to whatever answer allows us to escape, for better or worse. On one hand, such a diversity of representation of these ideas across multi-media might suggest there's something to it.
However, whether this allusion-heavy approach helps or hurts the argument for Simulation Theory is up for debate. You could easily make a jolly game of calling out all the clips as they rollick by. Aside from The Matrix, everything from Star Wars, to Defending Your Life, Minecraft, Avatar, Batman Forever, Total Recall, and Horton Hears A Who are looped in. Night Shaym-Aliens!" When explaining that some people are purely NPCs (Non-Player Characters), World of Warcraft footage is wielded. To illustrate how a simulation might prioritize processing power, Ascher cuts to the Rick and Morty episode "M. Additional flash and cool cache are achieved through flooding the film with footage of a slew of TV shows, video games, and movies that remotely tie into this conversation.
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From there, their recollections are re-enacted with video game-like graphics, illustrating the idea that this world might also be a collection of code and pixels.
Stripped away are their human faces and any physical identifiers, replaced by glossy CGI that transforms them into glittery wolves, roly-poly robots, and other outrageous creatures. As such, Ascher bolsters these believers by presenting each in interviews as flashy avatars. A keystone to his work is an open mind that bestows to his subjects plenty of space and support to unfurl their theories, no matter how unusual. In talking-head interviews, Ascher allows a batch of believers to recount their first experience watching The Matrix or otherwise questioning reality as we know it.
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